Godzilla (1954) 4K UHD + Blu-Ray (US Import) *dañado - ver foto*
Criterion

Título original: ゴジラ / Gojira

Año: 1954
Pais: Japan
Código de región: 4K UHD: A/B/C; Blu-Ray: A
Contenido: 4K UHD + Blu-Ray
EAN: 715515305112

Imagen: 1.37:1 (2160p)

HDR: -

Audio: Japanese - Uncompressed Mono

Subtítulos: English

Calificatión por edades: Not Rated

Género: Science Fiction

Reparto: Takashi Shimura, Akira Takarada

Director: Ishiro Honda


Sinopsis:

Godzilla (a.k.a. Gojira) is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning more than thirty sequels. A thrilling, tactile spectacle that continues to be a cult phenomenon, the original 1954 Japanese version is presented here, along with Godzilla, King of the Monsters, the 1956 “Americanized” version.

Extras:

• New 4K digital restoration, with uncompressed monaural soundtrack
• One 4K UHD disc of the film and one Blu-ray with the film and special features
• High-definition digital restoration of Godzilla, King of the Monsters, Terry Morse’s 1956 reworking of the original, with uncompressed monaural soundtrack
• Audio commentary for both movies by film historian David Kalat
• Interviews with actors Akira Takarada and Haruo Nakajima and special effects technicians Yoshio Irie and Eizo Kaimai
• Interview with legendary Godzilla score composer Akira Ifukube
• Featurette detailing Godzilla’s photographic effects, introduced by special effects director Koichi Kawakita and special effects photographer Motoyoshi Tomioka
• Interview with Japanese-film critic Tadao Sato
• The Unluckiest Dragon, an illustrated audio essay featuring historian Greg Pflugfelder describing the tragic fate of the fishing vessel Daigo Fukuryu Maru, a real-life event that inspired Godzilla
• Trailers
• PLUS: An essay by critic J. Hoberman