On The Decay Of Criticism is a compelling collection of essays and literary reviews by the illustrious W. M. Spackman, acclaimed for his sharp wit and formidable expertise in literary critique. Published by W W Norton & Company in 2017, this brand new edition features 320 pages that delve deep into literature's artistry and craftsmanship, challenging conventional views on criticism. Through Spackman's engaging prose, readers explore the intricacies of evaluating literature beyond mere content. He advocates for an aesthetic approach, reminiscent of Nabokov’s belief that style and structure trump grand ideas, ensuring all literary enthusiasts appreciate the beauty of language. From ancient Greek texts to contemporary poetry and novels, Spackman's essays dissect notable writers including Tolstoy and James, while illuminating the merits of overlooked figures such as Henry Green. This thought-provoking book is essential for students, scholars, and anyone passionate about the art of literature. Perfect for those seeking a fresh perspective on literary criticism, "On The Decay Of Criticism" invites readers to question established norms and celebrate the nuances of writing in an insightful and engaging manner. Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Condition: BRAND NEW
ISBN: 9781683960225
Year: 2017
Publisher: W W Norton & Company
Pages: 320


Description:


Best known for the sleek, sophisticated novels he wrote in the 1970s and '80s, W. M. Spackman was also a literary critic of formidable power and slashing wit. Gathered here are all the essays and reviews he published, including those that appeared in his 1967 book of essays On the Decay of Humanism.?Ranging from ancient Greek and Latin literature to the latest poetry and novels, these brilliant essays argue that a work of literature should be evaluated on its artistry and craftsmanship, not on its content or ideas. Spackman quotes, with approval, Nabokov's belief that, "Style and structure are the essence of a book; great ideas are a lot of hogwash," and insists "aesthetic assessments... must come before everything else." On those grounds, he finds such celebrated masters as Leo Tolstoy and Henry James inferior to lesser-known artists like Henry Green and Ivy Compton-Burnett. His iconoclastic views are supported with close technical analyses, but in a relaxed style that delights as it instructs.